Time and period for making of work is coded into I-ching change hexagram, reflected with size of individual pieces, color and layout. acrylic on wood. 1987~ Exit Art, 1989 ©Hiroshi Kariya

Blotter, brush cleaning, with "the now is" writing, is the nature of this work. 1987~1989 Exit Art installation, 1989 ©Hiroshi Kariya

Blotter, brush cleaning, with "the now is" writing, is the nature of this work. 1987~1989 Exit Art installation, 1989 ©Hiroshi Kariya

Face view of beyond. Viewer to permit to see through the work behind, the fragmented vision of whole work. Exit Art Installation, 1989 ©Hiroshi Kariya

Blotter, brush cleaning, with "the now is" writing, is the nature of this work. 1987~1989 Exit Art installation, 1989 ©Hiroshi Kariya

Curved stump with 'the now is' writing, placed in the middle of gallery space, plumb line pointing the core. 1987 ©Hiroshi Kariya

Acrylic on linen, 8'ø 1987~1988 Folded 3 times and hung vertically, from beneath, the view shows ∞. Exit Art, 1989 ©Hiroshi Kariya

Acrylic on linen, 8'ø 1986~1988 Acrylic on plywood. Exit Art, 1989 ©Hiroshi Kariya

Blotter scroll drawing. 8"ø x 18" width, acrylic on craft paper. 1984~1987 Exit Art, 1989 ©Hiroshi Kariya