Time and period for making of work is coded into I-ching change hexagram, reflected with size of individual pieces, color and layout.
acrylic on wood. 1987~
Exit Art, 1989
©Hiroshi Kariya

Blotter, brush cleaning, with "the now is" writing, is the nature of this work.
1987~1989
Exit Art installation, 1989
©Hiroshi Kariya

Blotter, brush cleaning, with "the now is" writing, is the nature of this work.
1987~1989
Exit Art installation, 1989
©Hiroshi Kariya

Face view of beyond.
Viewer to permit to see through the work behind, the fragmented vision of whole work.
Exit Art Installation, 1989
©Hiroshi Kariya

Blotter, brush cleaning, with "the now is" writing, is the nature of this work. 1987~1989
Exit Art installation, 1989
©Hiroshi Kariya

Curved stump with 'the now is' writing, placed in the middle of gallery space, plumb line pointing the core. 1987
©Hiroshi Kariya

Acrylic on linen, 8'ø
1987~1988
Folded 3 times and hung vertically, from beneath, the view shows ∞.
Exit Art, 1989
©Hiroshi Kariya

Acrylic on linen, 8'ø
1986~1988
Acrylic on plywood.
Exit Art, 1989
©Hiroshi Kariya

Blotter scroll drawing.
8"ø x 18" width, acrylic on craft paper. 1984~1987
Exit Art, 1989
©Hiroshi Kariya